suggestion on jazz music?

pacifusion

New member
Hi drummers,
thinking of pickin' up jazz,
so wanna ask you guys where i should begin?
What band/drummer would you suggest that I start listening to?
I'm quite new to this so if i listen to the pros whatever i listen would go in from one ear and out from the other. haha.
thanks :mrgreen:
 
Miles Davis Kind of Blue...the 1st jazz album anyone who's picking up jazz shld listen to. Still amazes me how much Jimmy Cobb can swing those quarter notes...DAMNNN
 
I've been listening to the NPR's Jazz Profiles Podcast, there's some pretty cool stuff going on. For someone like me who's slowing finding his way around the rich history of jazz, it's been really interesting.


An in-depth look at the greatest performers who have influenced the history of jazz. Presented by host Nancy Wilson.

Gerry Mulligan: Intricacy in a Lower Register

April 16, 2008 - Arguably the most influential baritone saxophonist in jazz history, Mulligan developed the big horn into a solo instrument and helped engineer the sound that came to be known as "cool jazz."
Download the Program


Bud Powell: Bebop Pianism
April 9, 2008
Download the Program
Admired by his peers as an adventurous original who forged a style of unrivaled virtuosity, Powell is still remembered for redrawing the course of modern jazz piano by pioneering bebop improvisation at the keyboard.

Benny Waters: Innovation in Longevity
April 2, 2008
Download the Program
As a clarinetist, saxophonist, vocalist, composer, and arranger, Waters enjoyed a career spanning eight decades. His playing continuously evolved, ultimately reflecting elements from the entire history of jazz.

Sarah Vaughan: Vocal Virtuosity
March 26, 2008
Download the Program
Sarah Vaughan was affectionately known as both "Sassy" and "The Divine One," nicknames that reflect the extraordinarily wide range of expression she achieved in her singing.

Zoot Sims: 'Brother' of Swing
March 19, 2008
Download the Program
From the start, the tenor saxophonist fashioned his seemingly effortless sound from the music of early sax masters, then refined that sound through years of playing with some of jazz's greatest bandleaders and soloists.

Hoagy Carmichael: 'Stardust Melodies'
March 12, 2008
Download the Program
With a laid-back, familiar style, the composer, pianist and singer created popular hits for decades — and logged numerous entries into the great American songbook. When asked about his tuneful gift, he credited his early roots in jazz.

Louis Jordan: 'Jukebox King'
March 4, 2008
Download the Program
One of the most popular and successful bandleaders of his day, the saxophonist and singer broke from the mainstream jazz of the Swing Era, producing hard-driving chart toppers and becoming a founding father of rhythm & blues.

Bill Evans: 'Piano Impressionism'
February 27, 2008
Download the Program
Evans' introspective lyricism and subtle, Western classical flourishes have echoes in a legion of fellow keyboard players. As a leader and composer, he introduced an influential, highly interactive approach to trio and small-group performances.

Gene Ammons: 'The Jug'
February 20, 2008
Tenor saxophonist Gene Ammons had an ability to infuse originals and standards with preachy yet elegant clouds of sound. His immense talents helped the Chicago native shape the sounds of soul, jazz, and R&B.

Nat King Cole: 'The Singer'
February 13, 2008
Download the Program
Nat King Cole emerged in the late 1930s as an elegant piano stylist and leader of his influential working trio. But his greatest fame began when he took up a microphone to sing, and soon became a consummate and world-renowned entertainer.

Nat King Cole: 'The Pianist'
February 6, 2008
Download the Program
One of America's most identifiable and beloved musicians, Cole possessed a silken voice that helped jazz gain wider appeal. But he was also an elegant keyboard player whose innovative groups popularized the jazz piano trio.

Oscar Pettiford: Bass Beyond Bop
January 30, 2008
Download the Show
Oscar Pettiford, a virtuoso bassist and composer who doubled on cello, first emerged as a virtuoso performer during the bebop moment. He would remain one of the most highly sought-after jazz musicians throughout his too-short career.

Jazz in Song: The Standard
January 23, 2008
Download the Program
Jazz has always thrived on a bedrock of popular songs — tunes drawn from the blues and bossa nova, from Tin Pan Alley and rock, from Broadway and R&B. Over time, certain songs have the strength and popularity to become standards.

Jazz in Song: The Singing Instrumentalists
January 16, 2008
Download the Show
Many jazz horn players cite vocalists as their main influences, while many vocalists draw inspiration from feisty instrumentalists. Some of the most heralded jazz artists can display lyricism both on their instruments and in their voices.

Jazz in Song: The Words
January 9, 2008
The popularity of jazz in its golden age owes much to the great American songbook — to the great lyricists who set poetry to rhythm, and to the interpreters who created their individual takes on those words.

NPR's 'Jazz Profiles' : NPR Music
 
thanks bros!
just started listening to kind of blue now..
exactly what i was looking for =)
downloading the shows now..
need more more more exposure!
keep em comin in~
 
yeah!Dave brubeck!!haha..check out the song cassandra...amazing brushworks..haha..one of my all-time favourites;)
 
It can be overwhelming so start slow. But always listen. Jazz will open up how u play every other genre of music.
 
jazz. too many records liao.

today's folks have a few hundred albums, 10000 songs or 50GB

but some guys have few thousand jazz records alone... even if many of those are EPs.. imagine how many songs


take a singer, or instrumentalist... run through bulk of catalog, rinse repeat again..... the process will take years, if not a lifetime...


couple off top of my head:

john coltrane - a love supreme (elvin jones on drums)
art blakey & the jazz messengers - free for all



enjoy.. ;)
 
good for you, same issue as I've in the Beginning (even till now) - What To Listen? Tough Question To Decide...to difficult ones (kenna chai-lat & Blurr)...yet too many Jazz Songs around.

My Suggestion - start with the Old ones (Common Ones) that people usually play.....even myself only knows very limited ones.....and one problen with myself is - I listen to more Pop & Rock than Jazz even till today...

Join a Jazz Band - for a start, learn from beginning and get the feel.....Jazz is nice.eee, when I play, I feel it - still having some Problem with - Comping Well....
 
Wow nkf31...tat's one interesting link man...though i dunno anyone who can wiggle their fingers and get away with it on jam nites..lol
 
NUS Jazz...gotta clear the auditions though...they dun really care if you're in NUS or not really...

Thomson Band 3...heard they're always looking out for players.

Gotta noe how to read really...coz its majority big band stuff. However its a good way of meeting people...can spin of into a small group with you can click with ppl there.

Tanglin has a sunday jam...havent been there for a while so i dunno if its still on or not. Tats a good way of meeting like minded individuals. Definitely a good place to be when you're first starting out.

Of course there's Harrys or Southbridge on jam nites...again more to meet like minded individuals....

Lastly...post on soft and look for band members....u might get a hit or two!!
 
The Tanglin CC holds Jazz Jam sessions every Sunday afternoon from 2-6pm (public holidays excepted). All are welcome. It's probably the only session on Sundays afternoon where you get to interact with the pros and the newbies alike...some of the top bassists, guitarists, pianists, and sax players regularly drop by. There are also many young players, eg., La Salle jazz students and graduates who come for the experience of playing with other jazz musicians. Drummers always welcome to sit in - if they are comfortable with the material being played. No better place to get started esp for those wanting to play bebop/combo jazz.

Both the NUS Jazz Club and Thomson CC are into scored Big Band music. Drummers are required to sight read and will be playing scored material. There is little scope for improvisation or individual expression.

To jam at Harry's or Southbridge, one has to be quite proficient esp with the kind of material that they play. Otherwise suffer the indignity of being cut short. And of course you have to pay for the drinks.

If you are a drummer you don't have to be in a band to play jazz...if you are good enough you will always get opportunities to jam or even to gig. A session jazz drummer can be quite lucrative as there are not many good ones around to fill the demand.
 
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haha I'm in Singapore poly the drummers in jazz band's not bad too!
but i failed the audition =x
no experience haha
 
Bro Elektrig......Bro Blofeld is right. Tanglin does have Jazz Jamming on every Sunday from (I think 2pm to 6pm).... and the Jazz Musician there are good....and sometimes it is not uncommon you see a Professional pop by.

It's nice to see them play, (can learn too by listening to them play), and they will be most happy to invite you to go up and jam with them (which is nice of them) - But, to be honest , it's a little scary too when you go up there , cause those guys are good....

Bro Blofled is the Jam-Master of Tanglin CC and I have put up a number of his drumming at events held there here in Soft ...Indeed he is a good Jazz Drummer.

Note: - (see Videos on Jazz, the band is great) !
http://soft.com.sg/forum/gigs-conce...glin-cc-rock-blues-festival-15-12-2007-a.html
 
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Hi there,
here's a few thoughts that might be helpful for guys getting into jazz, some albums and drummers to check out, and things to look out for

Jimmy Cobb
With Miles Davis on "Kind of Blue"; "Live at the Blackhawk"
Check out Jimmy Cobb's ride cymbal, and the consistency of his quarter note. You could take away everything else he was playing, and he would still be driving the band like crazy.

Philly Joe Jones
with Miles Davis on "Milestones"
Philly Joe Jones had amazing technique. try playing along with "sid's ahead" and you'll know what i mean. anyone who's looking to get into soloing in a jazz style should check out some of the stuff on two bass hit.


Tony Williams
With Miles Davis on "The Complete 1964 My Funny Valentine+Four and More"
Four and more was one of the first albums i ever listened to and it totally changed my perspective of jazz. Here was tony williams playing this way at 17 years of age, and he was absolutely tearing it apart! Everything he did was pure genius, and today people are still trying to play some of the stuff that he did

Elvin Jones
With Wayne Shorter on "Speak No Evil", with John Coltrane on "Coltrane's Sound", "one up one down live at the half note" and "a love supreme"
Check out elvin and the way he manages to make things feel. His beat is so wide it's like a giant cushion for the rest of the group to rely on. His use of triplets was revolutionary, and also the way he accented the upbeats on the ride cymbal.

That's enough stuff to check out for a year, at least! I also wanna say, that for any young drummer trying to get into jazz, there is nothing more important than going out there, going to jam sessions and getting your ass kicked by the "specialists" and "professionals" out there. I've done it, and I think you learn more from those experiences than you ever will sitting by yourself in a practice room or playing with people who are at your level. There's a perspective that the jazz musicians at harry's and southbridge will cut you short, scream at you, and make you feel bad if you don't play well, which might even be true, but from personal experience it's these musicians who tell you the truth about your own playing that help you to grow, so much more than people who sugar coat things for you. I think the jam session at harry's is a great opportunity for any young drummer who wants to play with a world class jazz bassist. Christy Smith is really one of the best in the world, not just in Singapore. Always remember that everything can be a learning experience, even getting your ass kicked. Singapore's a great place for a young musician to learn to play jazz, at the jam sessions on sundays you can, for the price of a drink, get to play with great musicians such as Christy Smith, Rick Smith, Eddie Layman, Mike Stanton, Aya Sekine, Mario Serio, Eddie Jansen, Mei Shuem just to name a few! to not take advantage of this resource seems silly to me.

best wishes to everyone!

Wen
 
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