Hi,
Generally, the most common and acclaimed instrument cable is GS-6
but i've seen some people use L-2T2S (meant for balanced signal use, ie mics)
and solder both the twisted pair (blue and white) together onto a mono sleeve (unbalanced)
is there any significance in the sound between these 2 cables if used for instruments?
pardon me for the messy jargon, i'm just a musician wanting to find out the characteristics of these 2 cables if used in an unbalanced setting (i.e. guitar to amp)
according to this guy who posted in some forum i stumbled upon, he claims that L-2T2S is "less muddy in the low end compared to GS-6"
but of course, i've no prior experience or proof on his claim..
Would some of you with experience with these two cables used in an "unbalanced" setting please share some of your inputs?
Thanks!
Generally, the most common and acclaimed instrument cable is GS-6
but i've seen some people use L-2T2S (meant for balanced signal use, ie mics)
and solder both the twisted pair (blue and white) together onto a mono sleeve (unbalanced)
is there any significance in the sound between these 2 cables if used for instruments?
pardon me for the messy jargon, i'm just a musician wanting to find out the characteristics of these 2 cables if used in an unbalanced setting (i.e. guitar to amp)
according to this guy who posted in some forum i stumbled upon, he claims that L-2T2S is "less muddy in the low end compared to GS-6"
but of course, i've no prior experience or proof on his claim..
Would some of you with experience with these two cables used in an "unbalanced" setting please share some of your inputs?
Thanks!